Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of a Man oil painting


Portrait of a Man
circa 1660(1660) Medium oil on panel cyf
Painting ID::  96920 		Frans Hals
Portrait of a Man
circa 1660(1660) Medium oil on panel cyf
   
   
     
Frans Hals Portrait of a Man oil painting


Portrait of a Man
between 1650(1650) and 1653(1653) Medium oil on canvas cyf
Painting ID::  97253 		Frans Hals
Portrait of a Man
between 1650(1650) and 1653(1653) Medium oil on canvas cyf
   
   
     
Frans Hals Portrait of a Man oil painting


Portrait of a Man
circa 1635(1635) Medium oil on oak cyf
Painting ID::  97482 		Frans Hals
Portrait of a Man
circa 1635(1635) Medium oil on oak cyf
   
   
     
Frans Hals Portrait of a Man oil painting


Portrait of a Man
circa 1627(1627) Medium oil on copper cyf
Painting ID::  97542 		Frans Hals
Portrait of a Man
circa 1627(1627) Medium oil on copper cyf
   
   
     
Frans Hals Lachende man met kruik oil painting


Lachende man met kruik
between 1628(1628) and 1630(1630) Medium oil on canvas cyf
Painting ID::  97696 		Frans Hals
Lachende man met kruik
between 1628(1628) and 1630(1630) Medium oil on canvas cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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